Dibujo original a tinta
Murder by Ink
Murder by Ink
The final clue was never missing.
It was merely waiting to be read.
No se pudo cargar la disponibilidad de retiro
Envío gratis · Entrega con seguimiento
El original es único: cuando alguien lo adquiere, no vuelve.

The story behind
For eleven days, nobody knew where she was.
In December 1926, the greatest crime writer alive became her own mystery. Agatha Christie's car was found abandoned by a chalk pit; the queen of detective fiction had vanished. A thousand policemen searched for her. Eleven days later she reappeared in a hotel under another name — and for the rest of her life, she never explained what had happened.
She wrote sixty-six novels and gave every one of them an ending. This portrait holds her the way she held her secret: composed, courteous, and absolutely unwilling to tell. The one case Agatha Christie never let anyone solve was her own.
Thousands of lines, drawn one by one.
No shortcuts, no grey ink — only black lines and patience.
The book she holds. The one she never explained.

The process
Drawn by hand. Nothing digital.
Each piece begins with an archival fineliner and around twelve hours of hatching — thousands of intersecting strokes laid down one at a time, with no undo and no layers. There is no tablet and no filter at any stage of the original: heavyweight cotton paper, permanent lightfast ink. What you see is exactly what the pen left behind.
Originals signed by hand · Archival ink & paper · Free tracked shipping
Drawn by Agus Sánchez in Sitges · Meet the artist →
Contenido desplegable
Which paper is used?
The original pieces are drawn in 100% cotton paper 300gsm, and the fine art prints are made on archival cotton paper designed to last for decades without fading.
When will my artwork arrive?
Each piece is prepared and packaged carefully before shipping.
Orders are usually prepared within 2–4 working days, and delivery times depend on your location. Shipping is free and always tracked.
How is my artwork packed for shipping?
Every artwork is carefully packaged with two priorities in mind: protection and presentation. Unframed works travel flat between rigid boards; framed works are corner-protected and boxed.