• The Path to Magdala, framed fine art print in light oak
  • The Path to Magdala, ink drawing of the Tour Magdala path in Rennes-le-Chateau by Agus Sanchez
  • Agus Sanchez drawing The Path to Magdala with a fineliner
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The Path to Magdala

The Path to Magdala

Every path in Rennes leads somewhere.

This one leads to a secret.

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The story behind

He walked this path. He never said where it led.

In Rennes-le-Château, the priest Bérenger Saunière built more than a tower. Along the edge of the hill he laid a long stone walkway, a belvedere looking over the whole valley. At one end stands the Tour Magdala, where he kept his library. At the other, a glass orangery.

He walked this path while the village wondered where his money came from. He never told. The path is still there, worn by a century of visitors, and it still leads to the same unanswered question.

The S of Saunière, hidden under the battlements.

A Gothic window, drawn stone by stone.

Someone is waiting by the trees. Nobody knows who.

Agus Sánchez drawing with an archival fineliner, gloved hand over hatched ink lines

The process

Drawn by hand. Nothing digital.

Each piece begins with an archival fineliner and around twelve hours of hatching — thousands of intersecting strokes laid down one at a time, with no undo and no layers. There is no tablet and no filter at any stage of the original: heavyweight cotton paper, permanent lightfast ink. What you see is exactly what the pen left behind.

Originals signed by hand · Archival ink & paper · Free tracked shipping

Drawn by Agus Sánchez in Sitges · Meet the artist →

Which paper is used?

The original pieces are drawn in 100% cotton paper 300gsm, and the fine art prints are made on archival cotton paper designed to last for decades without fading.

When will my artwork arrive?

Each piece is prepared and packaged carefully before shipping.
Orders are usually prepared within 2–4 working days, and delivery times depend on your location. Shipping is free and always tracked.

How is my artwork packed for shipping?

Every artwork is carefully packaged with two priorities in mind: protection and presentation. Unframed works travel flat between rigid boards; framed works are corner-protected and boxed.